Find One-of-a-Kind Gifts in The TM Shop

Silk Ikat scarves from Uzbekistan ($60)

The Textile Museum Shop is the perfect place to buy one-of-a-kind gifts this holiday season. Shoppers will find a colorful assortment of new ikat items to coincide with the exhibit Colors of the Oasis: Central Asian Ikats (on view through March 13, 2011) as well as other unique gift ideas. The shop provides museum visitors with a convenient holiday shopping opportunity and shares special holiday discounts with museum members.

In conjunction with the museum’s newest exhibit, Colors of the Oasis: Central Asian Ikats, visitors will find a variety of related products for sale in the shop that showcase the colorful and dramatic designs created using the specialized ikat dyeing process. Available for purchase are vibrant ikat scarves, handbags, bracelets, men’s ties, books and many beautiful ikat apparel items, such as original Uzbek coats and jackets, hand-painted silk robes and modern printed cotton robes.

From December 3 – 5, the shop offers museum members a 25% discount on all merchandise during “The TM Member VIP Weekend.” This is one of the shop’s most popular annual events, and members may also apply the discount to online purchases made during the VIP Weekend.

Recently named one of the “5 Best Museum Shops” in Washington, D.C. by Frommers.com and one of the 10 “Best U.S. Museum Gift Shops” by Apartment Therapy, The Textile Museum Shop offers a colorful selection of scarves, jewelry, books, fine fabrics and other handmade goods for sale year-round. The shop is always bringing in new items from artists around the globe. There are Peruvian hats, handbags, and scarves made by weavers of the Center for Traditional Textiles of Cusco, embellished handbags from Afghanistan, and embroidered suzani textiles from Central Asia.

Proceeds from shop sales support the museum and allow it to continue its mission to expand public knowledge and appreciation – locally, nationally, and internationally – of the artistic merits and cultural importance of the world’s textiles.

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The TM to Host an After-Hours “Mod Madness” Event on August 18

The Textile Museum will host its second after-hours “PM @ The TM” event on Wednesday, August 18, 6-9 p.m.—this time titled “Mod Madness” and in the spirit of Mad Men to coincide with its current exhibit of textile designs from the ’50s and ’60s. Step into the museum’s garden for cool drinks, noshes and live jazz by the Pete Muldoon Quartet. Escape the heat with gallery tours led by WE ARE SCIENCE and music by DJ Jahsonic in the exhibition Art by the Yard: Women Design Mid-Century Britain and enter to win prizes from area businesses and restaurants. Silk screen your own t-shirt or bag to take home with the Washington Printmakers Gallery. D.C.’s most fashionable will be on hand to nominate the “best mid-century dressed” – so show us your best fedoras, swing skirts and mod shifts!

Fee: $10 (includes two drink tickets/Textile Museum members; one drink ticket/non-members). Advance tickets recommended; purchase online here.

Presented in partnership with The Pink Line Project. Bring your wristband to The Front Page after the event to receive $2.50 cocktails. Prizes donated by PS7, Teaism, Farmers & Fishers, Eat & Smile and FRESHFARM Markets. Furniture provided by Design Within Reach.

Michael Franses to Receive The TM’s 2010 George Hewitt Myers Award

The Textile Museum's 2010 George Hewitt Myers Award honoree Michael Franses

The Textile Museum announced today that Michael Franses, renowned textile publisher and scholar, has been chosen as the 2010 recipient of the museum’s George Hewitt Myers Award, one of the highest accolades in the field of textile arts. The Myers Award, named for The Textile Museum’s founder and given by the Board of Trustees, recognizes Franses’ lifetime achievements and exceptional contributions to the field of textile arts. Previous recipients include researcher Mattiebelle Gittinger (2009); scholar Jon Thompson (2008); collector and philanthropist Lloyd Cotsen (2007); the late Josephine Powell, an ethnographer and photographer (2006); and textile designer and collector Jack Lenor Larsen (2005). Franses will be honored with the Myers Award at an event held at the Residence of the Turkish Embassy on Thursday, October 14, 2010.

“Perhaps no one else alive today has accomplished more for the field of Oriental carpets and textiles than Michael Franses,” said Bruce P. Baganz, president of The Textile Museum Board of Trustees. “Through his scholarship, publications and exhibitions, Mr. Franses has demonstrated his commitment to educating a wider audience about the textile arts—an effort closely aligned to the mission of The Textile Museum.”

Upon receiving the award announcement, Michael Franses commented, “In 1967, soon after I started to build my carpet and textile library and photo archive, I became aware of The Textile Museum in Washington, D.C. through its Journal and numerous other outstanding publications. I first visited the Textile Museum in 1973 and was immediately smitten. The kind of textiles that [Textile Museum founder] George Hewitt Myers collected, in particular classical Persian, Spanish and Chinese carpets, were in my opinion then, and still remain today, at the aesthetic pinnacle of textile art. The more I study what Myers collected, the more I rank him as probably the greatest collector and connoisseur of historical carpets ever. Even before my first visit to Washington, I had named my business The Textile Gallery, so that I might modestly attempt to follow in his footsteps. Now, at the end of my business career, as I embark upon full-time carpet and textile research in my ‘retirement,’ to be honored with the George Hewitt Myers Award is the greatest recognition I could ever have received.”

About Michael Franses

Michael Franses is the author and publisher of numerous books and periodicals related to the textile arts as well as co-founder of several textile-related organizations. For more than 40 years he has built major private and institutional collections worldwide as a dealer and advisor and organized exhibitions for galleries, museums and private collectors. He currently consults and pursues scholarly writing through new publications.

Born in 1949 in Brighton, England, Michael Franses began his apprenticeship in the field of antique carpets and textiles in 1965, working with his father, who had rejoined the family business, S. Franses (carpets) Ltd. In 1969 Franses and his father left the family firm to form their own partnership, Robert Franses & Son. Three years later, Michael Franses became managing director of a new company in London, The Textile Gallery. In this position Franses acquired numerous important historical carpets and textiles and began to arrange exhibitions for museums and private collections.

In the early1970s, Franses formed a textile conservation studio in London employing nine conservators, looking after historical carpets and textiles in many important private and museum collections. In 1975, he co-founded the International Conference on Oriental Carpets, jointly organizing the first conference in London in 1976. That same year he co-founded Hali, The International Journal of Oriental Carpets and Textiles, was the publisher, co-editor and principal shareholder until 1986. He has since remained a consultant editor and regular contributor. In 1993 he established Textile & Art Publications to continue the dissemination of new research on textiles and other art forms.

Franses owned The Textile Gallery in London from 1971-2007, exhibiting at major art fairs all over the world and mounting numerous special exhibitions. He closed his gallery three years ago and the following year closed his publishing company and became board chairman of Hali Publications Ltd. His intention is to devote his autumn years to study and to putting his extensive archives in order and making these widely available. He is currently working on a catalogue raisonné covering the early history of Chinese woven silk, from the Warring States to Northern Dynasties periods (475 BC—AD 580) and collaborating with scholar Elena Tsareva on The Birth of a Rug, a book charting the history of carpets before 1400. He is also assembling a catalogue raisonné of East Mediterranean carpets. He is working as editor of two volumes on the Khalili collection of Islamic carpets and textiles, and as editor and principal author of a publication of carpets in the collection of the Museum of Islamic Art in Qatar.

Recently, in 2009, he was awarded the Joseph V. McMullan Award, presented by the Near Eastern Art Research Center, for his stewardship and scholarship of Islamic rugs and textiles. Franses currently resides in Somerset and London with his wife, Jacqueline.

Turkish Embassy Residence in Washington, D.C., photo courtesy M.V. Jantzen

About The Turkish Embassy Residence

The Turkish Embassy Residence is one of Washington, D.C.’s most important historic buildings. Designed by well-known architect George Oakley Totten, Jr. and completed in 1914, the Mansion was commissioned by Edward H. Everett, a wealthy industrialist from Cleveland, Ohio best known for inventing the corrugated metal tops for soft-drink bottles. Architect George Oakley Totten, Jr. had a longstanding relationship with Turkey before the future Residence was built. He previously worked in Istanbul, where he designed the first American Chancery and a Residence for Izzet Pasha, the Grand Vezir, Prime Minister of the Empire. His work was so well received that he was offered the position of “Private Architect to the Sultan.”

Totten blended three architectural periods in his design for the mansion: 16th-century Italian, 18th-century Romanesque and 19th-century Art Deco, with distinct features from decorative Ottoman styles. During the 1920s, the House because famous for festive musical evenings with singers from New York’s Metropolitan Opera. Everett continued to reside in the mansion until his death in 1929. In 1932, Everett’s widow, Grace Burnap, leased the House to the Turkish Embassy and it was used both as Chancery and Residence. In 1936, at the behest of Turkey’s first President, Mustafa Kemal Ataturk, the House was purchased with all its contents. In the 1990s, the Chancery moved to Embassy Row on Massachusetts Avenue and the Mansion became the Residence of the Ambassadors of Turkey. The Residence was closed in 2004 for a nearly three-year renovation effort, during which all contents were painstakingly restored.

About The Textile Museum

Established in 1925 by collector George Hewitt Myers, The Textile Museum is dedicated to expanding public awareness and appreciation – locally, nationally and internationally – of the artistic merit and cultural importance of the world’s textiles. The museum presents changing exhibitions of historical textiles from its 18,000-piece collection and other holdings as well as contemporary fiber art, complemented by a range of public programs for all ages.

The Textile Museum is located at 2320 S Street, NW, in Washington, D.C.’s Embassy Row, and housed in two historic buildings: the founder’s family home – designed in 1913 by John Russell Pope – and an adjacent building designed in 1908. These former residences provide a warm, intimate setting for the museum’s galleries, research library, shop and program spaces. The museum also boasts lovely gardens designed by Rose Greely, Washington’s first licensed female architect. Museum hours are Tuesday through Saturday 10 a.m. – 5 p.m. and Sunday 1-5 p.m. The suggested donation for admission is $5 for non-members. For more information, visit www.textilemuseum.org or call (202) 667-0441.

Media Contact: Cyndi Bohlin, Director of Communications and Marketing, (202) 667-0441, ext. 78 or cbohlin@textilemuseum.org.

Collector Murad Megalli to Receive The TM’s Award of Distinction

This ikat is one from the collection donated to The Textile Museum by collector Murad Megalli (TM 2005.36.27, The Megalli Collection)

The Textile Museum announced today that collector Murad Megalli will be honored this fall with the museum’s Award of Distinction. The award recognizes an individual’s distinguished service in fulfillment of the museum’s mission to expand public awareness and appreciation—locally, nationally and internationally—of the artistic merits and cultural importance of the world’s textiles. Previous recipients include longtime museum supporters Harold M. Keshishian, Alice Dodge Wallace and Edwin M. Zimmerman, all three of whom were recognized in 2007. Megalli will be honored with the Award of Distinction at an event held at the Residence of the Turkish Embassy on Thursday, October 14, 2010.

Megalli has had an interest in and collected textiles for 22 years. A resident of Istanbul, Turkey, he learned much about textiles from his mentor, the late Josephine Powell, a renowned ethnographer and photographer who was awarded The Textile Museum’s George Hewitt Myers Award for lifetime achievement in 2006. Megalli donated a collection of 149 19th-century Central Asian ikats—stunning, colorful textiles named for the difficult resist dyeing technique used to create their patterns—to The Textile Museum in 2005, with subsequent gifts to the collection. Among one of the largest holdings of Central Asian ikats in the world, the collection represents the artistic virtuosity of this textile tradition and documents how these pieces were used their original cultural context. A selection of textiles from The Textile Museum’s Megalli Collection, including coats for men and women, women’s dresses and pants, cradle covers, hangings and fragments, will be on display for the first time ever in the museum’s fall 2010 exhibition, Colors of the Oasis: Central Asian Ikats. The entirety of the collection will also be published in a beautifully illustrated catalog with original scholarship complementing the exhibition.

Murad Megalli is a managing director and the chief executive officer for the Middle East, Turkey and Central Asia at J.P. Morgan based out of London and Istanbul. He holds a Master in Management from Yale as well as graduate and undergraduate engineering degrees in civil engineering and hydraulics. He speaks English, Turkish, Arabic and Russian.

About The Turkish Embassy Residence

The Turkish Embassy Residence is one of Washington, D.C.’s most important historic buildings. Designed by well-known architect George Oakley Totten, Jr. and completed in 1914, the Mansion was commissioned by Edward H. Everett, a wealthy industrialist from Cleveland, Ohio best known for inventing the corrugated metal tops for soft-drink bottles. Architect George Oakley Totten, Jr. had a longstanding relationship with Turkey before the future Residence was built. He previously worked in Istanbul, where he designed the first American Chancery and a Residence for Izzet Pasha, the Grand Vezir, Prime Minister of the Empire. His work was so well received that he was offered the position of “Private Architect to the Sultan.”

Totten blended three architectural periods in his design for the mansion: 16th-century Italian, 18th-century Romanesque and 19th-century Art Deco, with distinct features from decorative Ottoman styles. During the 1920s, the House because famous for festive musical evenings with singers from New York’s Metropolitan Opera. Everett continued to reside in the mansion until his death in 1929. In 1932, Everett’s widow, Grace Burnap, leased the House to the Turkish Embassy and it was used both as Chancery and Residence. In 1936, at the behest of Turkey’s first President, Mustafa Kemal Ataturk, the House was purchased with all its contents. In the 1990s, the Chancery moved to Embassy Row on Massachusetts Avenue and the Mansion became the Residence of the Ambassadors of Turkey. The Residence was closed in 2004 for a nearly three-year renovation effort, during which all contents were painstakingly restored.

About The Textile Museum

Established in 1925 by collector George Hewitt Myers, The Textile Museum is dedicated to expanding public awareness and appreciation – locally, nationally and internationally – of the artistic merit and cultural importance of the world’s textiles. The museum presents changing exhibitions of historical textiles from its 18,000-piece collection and other holdings as well as contemporary fiber art, complemented by a range of public programs for all ages.

The Textile Museum is located at 2320 S Street, NW, in Washington, D.C.’s Embassy Row, and housed in two historic buildings: the founder’s family home – designed in 1913 by John Russell Pope – and an adjacent building designed in 1908. These former residences provide a warm, intimate setting for the museum’s galleries, research library, shop and program spaces. The museum also boasts lovely gardens designed by Rose Greely, Washington’s first licensed female architect. Museum hours are Tuesday through Saturday 10 a.m. – 5 p.m. and Sunday 1-5 p.m. The suggested donation for admission is $5 for non-members. For more information, visit www.textilemuseum.org or call (202) 667-0441.

Media Contact: Cyndi Bohlin, Director of Communications and Marketing, (202) 667-0441, ext. 78 or cbohlin@textilemuseum.org.

The TM Elects Thomas Farnham to Board of Trustees

The Textile Museum announced today that Thomas Farnham was elected to the Board of Trustees at their April 2010 meeting. On accepting his appointment to the board, Farnham said “I am very familiar with The Textile Museum’s collection, publications and archives, having served as research associate for nine years. Now, as a trustee, I can help sustain this outstanding resource for generations to come.”

Farnham is a renowned scholar in the field of Oriental rugs and textiles. He is a recipient of the Joseph V. McMullan Award for Stewardship and Scholarship in Islamic Rugs and Textiles, presented annually by The Near Eastern Art Research Center, and recognized as the most prestigious award in the field of Oriental carpets. Farnham is currently a Textile Museum Research Associate, a member of the International Conference on Oriental Carpet’s (ICOC) Executive Committee, and chair of the ICOC’s Publications Committee.

“Thomas Farnham brings great scholarship and knowledge to The Textile Museum Board of Trustees,” said Bruce P. Baganz, board president.  “His appointment to the board reaffirms the museum as an international center for the textile arts, drawing together the leading experts in the field.”

Thomas Farnham spent his professional career teaching American history initially at the University of North Carolina and later in the Connecticut State University system. While a professor, he wrote seven books, including a biography of Nathan Hale. Farnham’s interest in carpets and textiles was ignited by his research into the life of Charles T. Yerkes, one of the so-called “Robber Barons” of the later 19th century and an unlikely, but significant, carpet collector. The result was a paper about the Yerkes collection that he delivered in 1993 at the Philadelphia International Conference on Oriental Carpets, a paper that was subsequently published in HALI, an English periodical devoted to Oriental rugs, textiles and Islamic art. Since then the provenance of classical carpets, the collectors of classical carpets, and the dealers who have bought and sold them have been Farnham’s particular interests.

Originally from Vermont, Farnham was raised in Massachusetts and educated at the University of North Carolina, where he received his Ph.D. in 1964. Farnham and his wife, Gwen, have five adult children and nine grandchildren and now reside in Bloomfield, Connecticut.

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Maryclaire Ramsey Promoted to Director of The Textile Museum

Maryclaire Ramsey

Maryclaire Ramsey in The Textile Museum's garden. Photo by Katy Uravitch.

The Textile Museum announced today that Maryclaire Ramsey has been promoted to director in recognition of her outstanding work. During the course of her 14 months as chief executive officer, The Textile Museum has achieved a balanced budget, seen an increase in attendance and individual giving, and presented six acclaimed exhibitions accompanied by a wide range of public programs. The museum was also awarded re-accreditation by the American Association of Museums during her tenure as CEO. Ramsey has been with The Textile Museum since April 2007.

“Maryclaire Ramsey’s energizing leadership has brought much to The Textile Museum,” said Bruce P. Baganz, president of the museum’s Board of Trustees. “Over the past 14 months, she has raised the museum’s profile through expanded strategic partnerships, set in place new sources of funding, and maintained The Textile Museum’s high standards of collections care, scholarship, exhibitions and public programs.”

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The Textile Museum Awarded Re-Accreditation by the American Association of Museums

The Textile Museum has been awarded re-accreditation by the American Association of Museums (AAM), the highest national recognition for museum excellence. Of the nation’s nearly 17,500 museums, only four percent are currently accredited, according to the AAM.

“We are so pleased that The Textile Museum has been recognized by the American Association of Museums as an institution upholding the highest standards of the field,” said Maryclaire Ramsey, the museum’s director. “This reflects the expertise and professionalism of our staff, Board of Trustees, Advisory Council and volunteers.”

“Re-accreditation by the AAM reaffirms that The Textile Museum is a leader among its museum peers,” commented Bruce P. Baganz, president of The TM Board of Trustees. “In every aspect – its scholarship, collections care and management, exhibitions and public programs, governance and more — the museum provides a model for other institutions worldwide.”

The AAM’s accreditation process has been sustained for more than 35 years. It serves as the primary means for “for quality assurance, self-regulation and public accountability,” according to the AAM’s website. Accreditation is a multiyear process involving one year of self-study and a site visit by a team of peer reviewers. The self-study and visiting committee report are used by the Accreditation Commission, an independent and autonomous body of museum professionals, to determine whether a museum should receive accreditation. Institutions awarded accreditation abide by the “highest standards in collections stewardship, governance, institutional planning, ethics, education and interpretation and risk management,” states the AAM’s website.

“The Textile Museum has for 85 years been a gem in the museum crown of Washington, D.C., said AAM president Ford W. Bell. “Emblematic of its service to tourists to the capital and residents alike is its re-accreditation. Simply put, AAM re-accreditation means that The Textile Museum is one of America’s premier institutions, achieving an extraordinary level of excellence in all that it does.”

The Textile Museum was founded in 1925 by collector George Hewitt Myers and first accredited in 1973. The Textile Museum’s mission is to expand public awareness and appreciation – locally, nationally and internationally – of the artistic merit and cultural importance of the world’s textiles. The mission is pursued through changing exhibitions of historical textiles from its 18,000-piece collection and other holdings; scholarship, including publications; maintenance of its research library and historic buildings; the preservation of its collection; public programs for all ages; and educational outreach.

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Mid-Century Design Comes to Washington, D.C.

Mahler Bird Chair

Untitled (Bird Chair), ca. 1953. Marian Mahler.

The fresh, innovative work of Lucienne Day (1917-2010) transformed the post-war British home and made stylish design available for all. The upcoming Textile Museum exhibition Art by the Yard: Women Design Mid-Century Britain showcases the work of Day and two of her contemporary female British designers: Jacqueline Groag (1903-1985) and Marian Mahler (1911-1983). Turning their backs on the austerity of the wartime era, Day, Groag, and Mahler took inspiration from modernist painters and helped pioneer a colorful and playful mid-century aesthetic, forever transforming the interior design industry. Art by the Yard: Women Design Mid-Century Britain is on view at The Textile Museum May 15 – September 12, 2010. About the Exhibition Featuring more than 50 colorful textiles drawn from the private Jill A. Wiltse and H. Kirk Brown III Collection of British Textiles, as well as select pieces of mid-century furniture, Art by the Yard is the first exhibit of its kind in Washington, D.C.  Magazines from the era featuring advertisements and profiles of these celebrity designers add context to the pieces on display. Noted as “full of imaginative fabrics by women who deserve more recognition” by Washington Post art critic Blake Gopnik, the exhibition opens in a year when high quality design on a limited budget is especially relevant.

The majority of the pieces in the exhibit were created by Lucienne Day, one of Britian’s most prolific and successful female designers. Her patterns, used for wallpapers, fabrics and tea towels, contributed to a distinctive 1950s and ‘60s aesthetic. Yet her sophisticated color choices and inventive references to nature remain surprisingly fresh. In 2005 Converse launched a shoe with her design Magnetic (1957), featured in the Textile Museum exhibition. Day, who passed away January 30, 2010, launched her career at the 1951 Festival of Britain. Her furnishing fabric Calyx, with its floating forms and bright colors, resonated with consumers and launched her international career. Along with her husband, furniture designer Robin Day, Lucienne believed in modern design’s transformative power to shape a better world and sought to create beautiful, useful objects accessible to all. Britain’s answer to American designer-duo Charles and Ray Eames, the Days became the poster couple for young and stylish homeowners.   

Select designs by Mahler and Groag are featured in Art by the Yard along with Lucienne Day’s work. Groag, originally from Czechoslovakia, is considered one of Britain’s most versatile designers. Her bold patterns were used for fabrics (both for the home and dress), furniture, wallpaper, and even in subway and airplane design. Mahler is renowned for her whimsical designs, with motifs ranging from birds to abstract forms. Her affordable textiles were seen in fashionable homes throughout Britain and complemented contemporary decorating styles. 

Untitled (Pebbles), ca. 1952. Jacqueline Groag.

The Textile Museum will present a full slate of exhibition-related programs to recall the era of Sputnik and Twiggy and bring the designs in Art by the Yard to life. Visiting scholars include Jennifer Harris, deputy director of the Whitworth Art Gallery at the University of Manchester, England and Dr. Pat Kirkham, professor at the Bard Graduate Center for the Studies in the Decorative Arts, Design and Culture. Look forward to period films such as The Best of Everything (screening in June) and a mid-century themed PM @ The TM after-hours party later in the summer. As Britain’s design industry was regaining momentum, Lucienne Day, Jacqueline Groag and Marian Mahler dared to offer a fresh approach to textile design in an era dominated by male professional artists. Believing that “good design” should be available for everyone, their products shaped the national aesthetic and continue to offer artistic inspiration and delight today.   

Art by the Yard: Women Design Mid-Century Britain is curated by Shanna Shelby (Curator, Jill A. Wiltse and H. Kirk Brown III Collection of British Textiles) and coordinated by Lee Talbot (Associate Curator, The Textile Museum). For more information or images, please contact Cyndi Bohlin at (202) 667-0441, ext. 78, or by e-mail at cbohlin@textilemuseum.org.

To request images online, CLICK HERE 

For the press release, CLICK HERE (pdf)

For a complete press kit, CLICK HERE (pdf)

Sake tasting at The TM on March 12

WHAT: Sake, an alcoholic beverage made from rice, has been crafted in Japan for millennia and is now enjoyed throughout the world. Join us for this special evening event and sample several varieties of fine sake. Attendees will also enjoy a curator-led tour of the museum’s current exhibition, Contemporary Japanese Fashion: The Mary Baskett Collection. Fee: $45/TM members; $55/non-members. Advance registration required; space is limited. Call (202) 667-0441, ext. 64 to register. Sponsored by Happi Enterprises.

WHEN: Friday, March 12, 6-8 p.m.

WHERE: The Textile Museum, 2320 S Street NW, Washington DC 20008; Metro: Dupont Circle, Q Street exit

MEDIA CONTACT: Cyndi Bohlin, (202) 667-0441, ext. 78 or cbohlin@textilemuseum.org

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This week’s programs at The TM postponed

The Textile Museum remains closed today due to inclement weather. Please visit the museum’s website or call 202-667-0441 for the most current information on opening status.

The Textile Museum has also rescheduled the following programs originally planned for this week:

LUNCHTIME GALLERY TALK
Sourcing the West
POSTPONED TO WEDNESDAY, FEB. 17, 12 PM

Led by Rebecca A.T. Stevens, Consulting Curator, Contemporary Textiles. Free; no reservations required.

EVENINGS AT THE TM
Creative Impulses: Japanese Fashion and Textiles
POSTPONED TO FRIDAY, MARCH 26, 6 PM

Presented by Yoshiko Wada. Fee: $20/members; $25/non-members. Advance registration required; space is limited. SOLD OUT. To be added to the waiting list, call (202) 667-0441, ext. 64. Evenings at The TM is sponsored by Eleanor T. Rosenfeld.

MEMBERS’ GALLERY TALK AND TOUR
The Art of Living: Textile Furnishings from the Permanent Collection

POSTPONED TO SUNDAY, FEB. 21, 1 PM

Led by Associate Curator Lee Talbot. Free; reservations required. Call (202) 667-0441, ext. 64. Limited to 35 participants.

PUBLIC GALLERY TALK AND TOUR
The Art of Living: Textile Furnishings from the Permanent Collection

POSTPONED TO SUNDAY, FEB. 21, 2 PM

Led by Associate Curator Lee Talbot. Free; no reservations required. Limited to 35 participants.

MATSURI: A MIDWINTER JAPANESE FESTIVAL FOR FAMILIES
POSTPONED TO SUNDAY, MARCH 7, 1-5 PM

This free festival offers hands-on art activities, demonstrations and performances for all ages. Free; no reservations required. Presented in cooperation with the Japan-America Society of Washington, D.C.

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