“Colors of the Oasis” Closes March 13

ColorsOfTheOasis

"Colors of the Oasis: Central Asian Ikats," on view through March 13, 2011. Photo by Kevin Allen.

Colors of the Oasis: Central Asian Ikats, an exhibition dubbed “overwhelming” with its boldness and color, closes at The Textile Museum on March 13.  This rich, jewel-toned exhibition of more than 60 ikat robes and hangings explores ikat fabrics from Central Asia through the lenses of beauty, technique, and culture.

What is ikat?
Ikat (pronounced ee-kat) cloth is made by dyeing individual silk threads before they are woven into fabric. The threads are resist-dyed in a process similar to tie-dyeing; threads are tied and bound tightly together so parts of the threads remain un-dyed. Upon weaving, the striking ikat pattern is revealed.

Story Ideas for Colors of the Oasis

  • The Ikat “Look” in Contemporary Design
  • Oscar de la Renta reproduced bright, graphic ikat patterns in his spring 2005 collection—and today, prints derived from the ikat technique are available at Pottery Barn, Target, Anthropologie, Chico’s, J Crew and more.  While mainstream designers have adopted this visual language, Colors of the Oasis reveals its undiluted source.

  • The Fabric of a Culture
  • Silk ikat garments were the height of fashion in 19th century Uzbekistan. The wealthy could afford more intricate patterns, and communicated their status through layering robe upon robe. In response to the popularity of the fabric, which quickly traversed the Silk Road, multiple ethnic groups became involved in the production process.

  • A Collector’s Legacy
  • All of the ikats in Colors of the Oasis were donated to The Textile Museum by the late cultural philanthropist and collector Murad Megalli (1957-2011), who set out to assemble the world’s most diverse collection of Central Asian ikat garments. This exhibit presents the finest articulation of a nation’s people that many know little about.

 

“Don’t think for a minute that the 19th-century equivalent of a Milan catwalk didn’t exist on the plains of Central Asia” – Washington Flyer Magazine

“Just go for the sheer purpose of being around style and grace.” – Ari C., Yelp.com

For more information, please contact Katy Clune at (202) 667-0441, ext. 77, or by e-mail at kclune@textilemuseum.org.

Download the press release in PDF form.

Request a link to a gallery of high-resolution exhibition images available for download.

Recycling Materials & Reinventing Meaning

 

Before and After

Emphasizing a non-materialistic Buddhist sensibility, this cover for a religious text was pieced from a badge indicating high status in the chinese imperial court. Top: Rank badge, China, Ming dynasty. Collection of Dr. Young Yang Chung. (Not on view). Bottom: Sutra cover made from a rank badge, China, 16th-17th century. TM 51.37. Acquired by George Hewitt Myers in 1956.

Second Lives: the Age-Old Art of Recycling Textiles
on view at The Textile Museum February 4, 2011 – January 8, 2012

February 2, 2011, Washington, D.C. — The Textile Museum launches a year-long exploration of the ties between textiles and environmentalism with the opening of two new exhibitions in 2011. Second Lives: The Age-Old Art of Recycling Textiles (February 4, 2011 – January 8, 2012) presents ingenious examples of repurposed textiles from around the world. Examples from the museum’s diverse permanent collections illustrate this phenomenon across cultures and centuries. These historic examples complement the major exhibition opening later this spring: Green: the Color and the Cause (April 16 -September 11, 2011).

About the Exhibition

Long before vintage fashion boutiques were in vogue, artisans found ways to repurpose precious handmade textiles. Throughout history and across cultures, textiles were so valuable that worn and threadbare fabrics were seldom simply discarded. Textiles are reused for aesthetic, symbolic, or practical reasons. Recycling can be an act of remembrance or signification; like a quilt pieced from childhood clothes, new textile forms carry the memories of past times, owners, experiences, and uses into the future.

Second Lives features 18 objects from The Textile Museum’s permanent collection that showcase the different forms repurposing textiles has taken around the world. Objects on view date from the 16th through the 20th centuries and include patchwork hangings from Uzbekistan, India and Iran, textiles woven with recycled fiber from Japan and the American Southwest, and garments constructed from discarded religious textiles from the Pacific Northwest coast and Turkey. Each object embodies layers of meaning and social significance.

Several of the objects on view carry religious significance—either in their original form, or in their repurposed incarnation. A sutra (religious text) cover from the 16-17th century is pieced from an insignia badge worn by a Chinese military officer during the Ming dynasty. In order to accrue merit for deceased loved ones, people in East Asia sometimes donated dead family members’ fine clothing to Buddhist temples, where they were reconfigured into new forms for sacred use. In the Islamic world, fine textiles once used as coverings at holy sites in Mecca and Medina were distributed to pilgrims, some of whom used these fabrics to create objects imbued with almost magical significance. A red silk vest adorned with verses from the Koran was likely worn by its wearer as a talisman.

Luxurious garments communicate wealth and status, and when they can no longer be worn, cultures have found ways to reuse them. A panel from a Qing dynasty (1644-1912) Chinese dragon robe, a prestigious garment requiring two to three years of labor to complete, is included in this exhibition as a wall hanging.

While some textiles are valued for the labor involved, others are valued for the stories they tell. Two finely woven velvet panels from 16th-century Persia found their way to Ottoman Turkey, where Sultan Suleyman the Magnificent (1494-1566) used them to embellish his tent. Taken from Turkey to Poland in the 17th century, they were incorporated into a noble family’s sled blanket, used until the 1920s.

Second Lives: the Age-Old Art of Recycling Textiles is organized by Lee Talbot, Associate Curator, Eastern Hemisphere Collections.

About The Textile Museum

Established in 1925 by George Hewitt Myers, The Textile Museum is an international center for the exhibition, study, collection and preservation of the textile arts. The museum explores the role that textiles play in the daily and ceremonial life of individuals the world over. Special attention is given to textiles of the Near East, Asia, Africa and the indigenous cultures of the Americas. The museum also presents exhibitions of historical and contemporary quilts, and fiber art. With a collection of more than 18,000 textiles and rugs, The Textile Museum is a unique and valuable resource for people locally, nationally and internationally.

The Textile Museum is located at 2320 ‘S’ Street, NW in Washington, D.C. The museum is open Tuesday through Saturday 10 a.m. to 5 p.m. and Sunday 1 p.m. to 5 p.m. An $8 donation is requested of non-members.

For more information, call (202) 667-0441 or visit www.textilemuseum.org.

For more information, please contact Katy Clune at (202) 667-0441, ext. 77, or by e-mail at kclune@textilemuseum.org or visit www.textilemuseum.org/about/pressroom.htm.

Request a link to a gallery of high-resolution exhibition images available for download.

Download this press release in PDF form.

Central Asian Family Festival on Feb. 12

Kids explore ikat-dyeing in the Textile Learning Center

Enjoy a family-friendly festival featuring Central Asian music and food as well as hands-on art and textile activities on Saturday, February 12, 12-4 p.m. Visitors can:

  • Take part in Central Asian dance with the Silk Road Dance Company, including a huge dancing dragon inspired by Uzbek legends
  • Add Central Asian flare to their outfit by creating a kalpak—or high-crowned hat—and wearing it throughout the festival
  • Weave their own ikat textile on a pre-warped loom, making an original fabric to take home
  • Explore the exhibition Colors of the Oasis: Central Asian Ikats with a family guide
  • Enjoy tea and refreshments

All activities and demonstrations are free and no reservations are required!

The Textile Museum Awarded Re-Accreditation by the American Association of Museums

The Textile Museum has been awarded re-accreditation by the American Association of Museums (AAM), the highest national recognition for museum excellence. Of the nation’s nearly 17,500 museums, only four percent are currently accredited, according to the AAM.

“We are so pleased that The Textile Museum has been recognized by the American Association of Museums as an institution upholding the highest standards of the field,” said Maryclaire Ramsey, the museum’s director. “This reflects the expertise and professionalism of our staff, Board of Trustees, Advisory Council and volunteers.”

“Re-accreditation by the AAM reaffirms that The Textile Museum is a leader among its museum peers,” commented Bruce P. Baganz, president of The TM Board of Trustees. “In every aspect – its scholarship, collections care and management, exhibitions and public programs, governance and more — the museum provides a model for other institutions worldwide.”

The AAM’s accreditation process has been sustained for more than 35 years. It serves as the primary means for “for quality assurance, self-regulation and public accountability,” according to the AAM’s website. Accreditation is a multiyear process involving one year of self-study and a site visit by a team of peer reviewers. The self-study and visiting committee report are used by the Accreditation Commission, an independent and autonomous body of museum professionals, to determine whether a museum should receive accreditation. Institutions awarded accreditation abide by the “highest standards in collections stewardship, governance, institutional planning, ethics, education and interpretation and risk management,” states the AAM’s website.

“The Textile Museum has for 85 years been a gem in the museum crown of Washington, D.C., said AAM president Ford W. Bell. “Emblematic of its service to tourists to the capital and residents alike is its re-accreditation. Simply put, AAM re-accreditation means that The Textile Museum is one of America’s premier institutions, achieving an extraordinary level of excellence in all that it does.”

The Textile Museum was founded in 1925 by collector George Hewitt Myers and first accredited in 1973. The Textile Museum’s mission is to expand public awareness and appreciation – locally, nationally and internationally – of the artistic merit and cultural importance of the world’s textiles. The mission is pursued through changing exhibitions of historical textiles from its 18,000-piece collection and other holdings; scholarship, including publications; maintenance of its research library and historic buildings; the preservation of its collection; public programs for all ages; and educational outreach.

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Sake tasting at The TM on March 12

WHAT: Sake, an alcoholic beverage made from rice, has been crafted in Japan for millennia and is now enjoyed throughout the world. Join us for this special evening event and sample several varieties of fine sake. Attendees will also enjoy a curator-led tour of the museum’s current exhibition, Contemporary Japanese Fashion: The Mary Baskett Collection. Fee: $45/TM members; $55/non-members. Advance registration required; space is limited. Call (202) 667-0441, ext. 64 to register. Sponsored by Happi Enterprises.

WHEN: Friday, March 12, 6-8 p.m.

WHERE: The Textile Museum, 2320 S Street NW, Washington DC 20008; Metro: Dupont Circle, Q Street exit

MEDIA CONTACT: Cyndi Bohlin, (202) 667-0441, ext. 78 or cbohlin@textilemuseum.org

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TM Honors Mattiebelle Gittinger

April 30, 2009-

Mattiebelle Gittinger Awarded 2009 George Hewitt Myers Award

The Textile Museum announced today that Mattiebelle Gittinger, one of the foremost researchers and scholars in the field of Southeast Asian textiles, has been chosen as the 2009 recipient of the Museum’s George Hewitt Myers Award, one of the highest accolades in the field of textile arts. The Myers Award, named for The Textile Museum’s founder and
given by the Museum’s Board of Trustees, recognizes an individual’s lifetime achievements and exceptional contributions to the field.

TM Promotes Two Curators

April 27, 2009-

The Textile Museum Promotes Two Curators

The Textile Museum announced today that Sumru Belger Krody has been promoted to curator and Lee Talbot has been promoted to associate curator, of the Eastern Hemisphere Collections. Krody will continue to head the department and to pursue curatorial work in her area of expertise, including researching and cataloguing the museum’s collection of Islamic and Late Antique textiles, developing exhibitions, producing scholarly materials and interpreting the Museum’s collection through educational programs, and chairing the
Museum’s staff Research, Publication, Library and Education task force. Talbot will continue to chair the Museum’s internal Exhibitions Task Force, acting as a liaison to the Board of Trustees, and to pursue
curatorial work focused on the Museum’s collection of textiles from Korea, China and Japan through exhibitions, publications and programs.

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