Textile Museum to Honor Walter B. Denny with 2012 George Hewitt Myers Award

Walter Denny

Prof. Walter B. Denny, this year’s George Hewitt Myers Award Recipient.

The Textile Museum will honor Walter B. Denny as the 2012 recipient of the George Hewitt Myers Award for lifetime achievement in the textile arts. The Myers Award, named for The Textile Museum’s founder and given by the Board of Trustees, is recognized as the highest accolade in the field of textile arts. Denny is a scholar, author, educator and widely recognized expert on Islamic art, ceramics of the Ottoman Empire, and oriental carpets. He is professor of art history and adjunct professor of Middle Eastern studies at the University of Massachusetts, Amherst. The award will be presented during a special reception at the Turkish Embassy Chancery on October 11, 2012 in Washington, D.C.

Previous recipients of the George Hewitt Myers award include scholar and artist Milton Sonday (2011); author and publisher Michael Franses (2010); scholars Mattiebelle Gittinger (2009) and Jon Thompson (2008); collector and philanthropist Lloyd Cotsen (2007); the late Josephine Powell (2006), an ethnographer and photographer; and textile designer Jack Lenor Larsen (2005).

Throughout his fifty-year career, Denny’s research, publications and teaching have helped cement the importance of textiles alongside other media in Islamic art history. In addition to Islamic carpets and textiles, Denny’s specialties include the study of the art and architecture of the Islamic world, in particular the artistic traditions of the Ottoman Turks, Islamic imagery in European art, and issues of economics and patronage in Islamic art. His ability to synthesize expertise from these different areas and draw new, insightful conclusions sets Denny’s scholarship apart from his peers. In recognition of the impact of his research, Denny was awarded the Joseph V. McMullan Award for stewardship and scholarship in Islamic rugs and textiles in 2003 by the Near Eastern Art Research Center. Denny is the co-curator for The Textile Museum’s fall 2012 exhibition “The Sultan’s Garden: The Blossoming of Ottoman Art”. The exhibition, and its accompanying catalog, chronicles how a new floral style in the mid-16th century came to embellish nearly all media produced by the Ottoman court.

Regarding Denny, Bruce P. Baganz, president of The Textile Museum’s Board of Trustees says, “Walter Denny has devoted his career to investigating the arts of the Islamic world – and most importantly highlighting the cultural importance of textiles. In order to appreciate the richness of historical information held by textiles, one must command knowledge not only of art history, but also political, economic and social history. We are honored to have Walter Denny return to co-curate another exhibition with us, and look forward to honoring his compelling scholarship this October.”

Denny began his studies at Robert College in Istanbul developing his lifelong career as a distinguished expert on the culture and history of the region. After graduating from Oberlin College, Denny began graduate studies in the department of Fine Arts at Harvard University. To aid his research in 16th-century Ottoman ceramics, Denny returned to Turkey on a Fulbright Fellowship at the Istanbul Technical University before earning his doctorate in 1970. Since then, Denny has been a faculty member at the University of Massachusetts, Amherst, and has previously been director for both the Art History department and the Near Eastern Studies department.

“Walter is an art historian with the rare ability to communicate his love and extensive knowledge to a wide range of people. Students, fellow academics, and the public alike can’t help but be captivated,” says Sumru Belger Krody, co-curator of the exhibition “The Sultan’s Garden”.“Walter’s research is always engaging as he constantly draws new connections.”

As an educator for more than forty years, Denny has helped shape today’s rising generation of art historians. However, Denny’s impact also extends far beyond the classroom. Between 1970 and 2000, Denny was the Honorary Curator of Rugs & Textiles at the Harvard University Art Museums, and for the past five years he has been Senior Consultant in the Department of Islamic Art at the Metropolitan Museum of Art. He has curated numerous exhibitions, and often delivers lectures at universities, museums, and cultural centers, and recent publications include “Gardens of Paradise: Ottoman Turkish Tiles of the 15th–17th Centuries” (Istanbul, 1998); “Masterpieces of Anatolian Carpets from the Museum of Turkish and Islamic Arts, Istanbul” (Bern, 2001); “Ipek: Imperial Ottoman Silks and Velvets” (London, 2002); and “The Classical Tradition in Anatolian Carpets” (Washington D.C., 2002).

To download a press release (PDF), click here.

For more information and images, contact Katy Clune, Communications Manager. (202) 667-0441, ext. 77

Textile Museum to Display AIDS Memorial Quilt, July 21-27

25 years after its first display on the National Mall, the AIDS Memorial Quilt is returning to Washington, D.C. this summer. Deemed by an act of Congress to be a National Treasure, The Quilt now consists of more than 47,000 panels commemorating the lives of tens of thousands of individuals. The Textile Museum hosted the press preview for the original Quilt, and this summer the museum is joining organizations across D.C. in displaying panels of the quilt in celebration of the anniversary and the XIX International AIDS Conference. Visit the museum’s Myers Room July 21-27 for the special opportunity to see a panel of the Quilt. For more information, contact Katy Clune, Communications and Marketing Manager at kclune@textilemuseum.orgor (202) 667-0441.

The AIDS Memorial Quilt on the National Mall. Courtesy of the Names Project.

The AIDS Memorial Quilt on the National Mall. Courtesy of the Names Project.

Document Dupont and Celebrate Textiles in June at the Free Dupont-Kalorama Museum Walk Weekend

Family members try out one of the looms at The Textile Museum Celebration of Textiles during the 2011 DKMC Museum Walk Weekend

Washingtonians and visitors to our nation’s capital are invited to discover and document the city’s exciting Dupont Circle-Kalorama neighborhood on the first weekend in June.  Nine diverse museums of the Dupont Kalorama Museums Consortium will be opening their doors to the public free of charge during the 29th Annual Dupont-Kalorama Museum Walk Weekend (Saturday and Sunday, June 2 and 3, 2012). This year’s theme, “Documenting Dupont,” encourages visitors to capture the many little details that make one of Washington, D.C.’s most beautiful neighborhoods unique, including its many museums.

While documenting the exteriors, step into the interiors to discover the Anderson HouseDumbarton HouseFondo del Sol Visual Arts CenterMary McLeod Bethune Council House National Historic SiteNational Geographic Museum (new for 2012), National Museum of American Jewish Military History,The Phillips CollectionThe Textile Museum, and the Woodrow Wilson House , all open free of charge June 2 and 3, 2012. Dupont-Kalorama Museum Walk Weekend is an opportunity for locals to “travel in their own neighborhood,” and for visitors to explore DC’s “off-the-Mall” museums.  

During the walk weekend, The Textile Museum will be putting on its annual Celebration of Textiles, as well as hosting three exciting exhibitions: “Dragons, Nagas, and Creatures of the Deep,” “Sourcing the Museum,” and “Woven Treasures of Japan’s Tawaraya Workshop.”

A  wide variety of exhibitions are also featured, such as Anderson House’s “The American Revolution at Sea.”  New on the 2012 Museum Walk is the addition of the National Geographic Museum, hosting three exhibitions, including “Titanic: 100 Year Obsession.” Many sites are offering special programming, including The Phillips Collections’ Jazz ‘n Families Fun Day event, the Woodrow Wilson House’s Electric Car Rally, the Mary McLeod Bethune Council House National Historic Site’s panel discussion, musical performances, and book lecture, and the National Museum of American Jewish Military History’s Family Stories (see the full release for additional exhibition and programming details).

Museums will be partnering with local restaurants and businesses to offer specials and discounts to Walk Weekend participants throughout the neighborhood. A “Documenting Dupont” photo contest celebrating these neighborhood museums is being organized by Washington City Paper. Stay tuned to City Paper Events for more details about entry and prizes.

The 29th Annual Museum Walk Weekend media sponsor is Washington City Paper, and FotoDC is onboard as a promotional sponsor.  Museum Walk Weekend is supported by Cultural Tourism DC.

Download the full release as a PDF.

View a list of all DKMC member organizations and their exhibitions.

For more information or images, visit www.dkmuseums.com or contact Katy Clune at kclune@textilemuseum.org

TM Shop to be Featured at Museum Shop Around

Make progress on your holiday shopping list while supporting Washington, D.C.’s many unique museum stores! The Textile Museum Shop and 18 other non-profit museum gift shops gather under one roof for this annual event at Strathmore Hall in north Bethesda, this year from Thursday, November 11 through Sunday, November 14. For hours and other details, visit www.strathmore.org or call (301) 581-5109.

The TM to Host an After-Hours “Mod Madness” Event on August 18

The Textile Museum will host its second after-hours “PM @ The TM” event on Wednesday, August 18, 6-9 p.m.—this time titled “Mod Madness” and in the spirit of Mad Men to coincide with its current exhibit of textile designs from the ’50s and ’60s. Step into the museum’s garden for cool drinks, noshes and live jazz by the Pete Muldoon Quartet. Escape the heat with gallery tours led by WE ARE SCIENCE and music by DJ Jahsonic in the exhibition Art by the Yard: Women Design Mid-Century Britain and enter to win prizes from area businesses and restaurants. Silk screen your own t-shirt or bag to take home with the Washington Printmakers Gallery. D.C.’s most fashionable will be on hand to nominate the “best mid-century dressed” – so show us your best fedoras, swing skirts and mod shifts!

Fee: $10 (includes two drink tickets/Textile Museum members; one drink ticket/non-members). Advance tickets recommended; purchase online here.

Presented in partnership with The Pink Line Project. Bring your wristband to The Front Page after the event to receive $2.50 cocktails. Prizes donated by PS7, Teaism, Farmers & Fishers, Eat & Smile and FRESHFARM Markets. Furniture provided by Design Within Reach.

Michael Franses to Receive The TM’s 2010 George Hewitt Myers Award

The Textile Museum's 2010 George Hewitt Myers Award honoree Michael Franses

The Textile Museum announced today that Michael Franses, renowned textile publisher and scholar, has been chosen as the 2010 recipient of the museum’s George Hewitt Myers Award, one of the highest accolades in the field of textile arts. The Myers Award, named for The Textile Museum’s founder and given by the Board of Trustees, recognizes Franses’ lifetime achievements and exceptional contributions to the field of textile arts. Previous recipients include researcher Mattiebelle Gittinger (2009); scholar Jon Thompson (2008); collector and philanthropist Lloyd Cotsen (2007); the late Josephine Powell, an ethnographer and photographer (2006); and textile designer and collector Jack Lenor Larsen (2005). Franses will be honored with the Myers Award at an event held at the Residence of the Turkish Embassy on Thursday, October 14, 2010.

“Perhaps no one else alive today has accomplished more for the field of Oriental carpets and textiles than Michael Franses,” said Bruce P. Baganz, president of The Textile Museum Board of Trustees. “Through his scholarship, publications and exhibitions, Mr. Franses has demonstrated his commitment to educating a wider audience about the textile arts—an effort closely aligned to the mission of The Textile Museum.”

Upon receiving the award announcement, Michael Franses commented, “In 1967, soon after I started to build my carpet and textile library and photo archive, I became aware of The Textile Museum in Washington, D.C. through its Journal and numerous other outstanding publications. I first visited the Textile Museum in 1973 and was immediately smitten. The kind of textiles that [Textile Museum founder] George Hewitt Myers collected, in particular classical Persian, Spanish and Chinese carpets, were in my opinion then, and still remain today, at the aesthetic pinnacle of textile art. The more I study what Myers collected, the more I rank him as probably the greatest collector and connoisseur of historical carpets ever. Even before my first visit to Washington, I had named my business The Textile Gallery, so that I might modestly attempt to follow in his footsteps. Now, at the end of my business career, as I embark upon full-time carpet and textile research in my ‘retirement,’ to be honored with the George Hewitt Myers Award is the greatest recognition I could ever have received.”

About Michael Franses

Michael Franses is the author and publisher of numerous books and periodicals related to the textile arts as well as co-founder of several textile-related organizations. For more than 40 years he has built major private and institutional collections worldwide as a dealer and advisor and organized exhibitions for galleries, museums and private collectors. He currently consults and pursues scholarly writing through new publications.

Born in 1949 in Brighton, England, Michael Franses began his apprenticeship in the field of antique carpets and textiles in 1965, working with his father, who had rejoined the family business, S. Franses (carpets) Ltd. In 1969 Franses and his father left the family firm to form their own partnership, Robert Franses & Son. Three years later, Michael Franses became managing director of a new company in London, The Textile Gallery. In this position Franses acquired numerous important historical carpets and textiles and began to arrange exhibitions for museums and private collections.

In the early1970s, Franses formed a textile conservation studio in London employing nine conservators, looking after historical carpets and textiles in many important private and museum collections. In 1975, he co-founded the International Conference on Oriental Carpets, jointly organizing the first conference in London in 1976. That same year he co-founded Hali, The International Journal of Oriental Carpets and Textiles, was the publisher, co-editor and principal shareholder until 1986. He has since remained a consultant editor and regular contributor. In 1993 he established Textile & Art Publications to continue the dissemination of new research on textiles and other art forms.

Franses owned The Textile Gallery in London from 1971-2007, exhibiting at major art fairs all over the world and mounting numerous special exhibitions. He closed his gallery three years ago and the following year closed his publishing company and became board chairman of Hali Publications Ltd. His intention is to devote his autumn years to study and to putting his extensive archives in order and making these widely available. He is currently working on a catalogue raisonné covering the early history of Chinese woven silk, from the Warring States to Northern Dynasties periods (475 BC—AD 580) and collaborating with scholar Elena Tsareva on The Birth of a Rug, a book charting the history of carpets before 1400. He is also assembling a catalogue raisonné of East Mediterranean carpets. He is working as editor of two volumes on the Khalili collection of Islamic carpets and textiles, and as editor and principal author of a publication of carpets in the collection of the Museum of Islamic Art in Qatar.

Recently, in 2009, he was awarded the Joseph V. McMullan Award, presented by the Near Eastern Art Research Center, for his stewardship and scholarship of Islamic rugs and textiles. Franses currently resides in Somerset and London with his wife, Jacqueline.

Turkish Embassy Residence in Washington, D.C., photo courtesy M.V. Jantzen

About The Turkish Embassy Residence

The Turkish Embassy Residence is one of Washington, D.C.’s most important historic buildings. Designed by well-known architect George Oakley Totten, Jr. and completed in 1914, the Mansion was commissioned by Edward H. Everett, a wealthy industrialist from Cleveland, Ohio best known for inventing the corrugated metal tops for soft-drink bottles. Architect George Oakley Totten, Jr. had a longstanding relationship with Turkey before the future Residence was built. He previously worked in Istanbul, where he designed the first American Chancery and a Residence for Izzet Pasha, the Grand Vezir, Prime Minister of the Empire. His work was so well received that he was offered the position of “Private Architect to the Sultan.”

Totten blended three architectural periods in his design for the mansion: 16th-century Italian, 18th-century Romanesque and 19th-century Art Deco, with distinct features from decorative Ottoman styles. During the 1920s, the House because famous for festive musical evenings with singers from New York’s Metropolitan Opera. Everett continued to reside in the mansion until his death in 1929. In 1932, Everett’s widow, Grace Burnap, leased the House to the Turkish Embassy and it was used both as Chancery and Residence. In 1936, at the behest of Turkey’s first President, Mustafa Kemal Ataturk, the House was purchased with all its contents. In the 1990s, the Chancery moved to Embassy Row on Massachusetts Avenue and the Mansion became the Residence of the Ambassadors of Turkey. The Residence was closed in 2004 for a nearly three-year renovation effort, during which all contents were painstakingly restored.

About The Textile Museum

Established in 1925 by collector George Hewitt Myers, The Textile Museum is dedicated to expanding public awareness and appreciation – locally, nationally and internationally – of the artistic merit and cultural importance of the world’s textiles. The museum presents changing exhibitions of historical textiles from its 18,000-piece collection and other holdings as well as contemporary fiber art, complemented by a range of public programs for all ages.

The Textile Museum is located at 2320 S Street, NW, in Washington, D.C.’s Embassy Row, and housed in two historic buildings: the founder’s family home – designed in 1913 by John Russell Pope – and an adjacent building designed in 1908. These former residences provide a warm, intimate setting for the museum’s galleries, research library, shop and program spaces. The museum also boasts lovely gardens designed by Rose Greely, Washington’s first licensed female architect. Museum hours are Tuesday through Saturday 10 a.m. – 5 p.m. and Sunday 1-5 p.m. The suggested donation for admission is $5 for non-members. For more information, visit www.textilemuseum.org or call (202) 667-0441.

Media Contact: Cyndi Bohlin, Director of Communications and Marketing, (202) 667-0441, ext. 78 or cbohlin@textilemuseum.org.

Collector Murad Megalli to Receive The TM’s Award of Distinction

This ikat is one from the collection donated to The Textile Museum by collector Murad Megalli (TM 2005.36.27, The Megalli Collection)

The Textile Museum announced today that collector Murad Megalli will be honored this fall with the museum’s Award of Distinction. The award recognizes an individual’s distinguished service in fulfillment of the museum’s mission to expand public awareness and appreciation—locally, nationally and internationally—of the artistic merits and cultural importance of the world’s textiles. Previous recipients include longtime museum supporters Harold M. Keshishian, Alice Dodge Wallace and Edwin M. Zimmerman, all three of whom were recognized in 2007. Megalli will be honored with the Award of Distinction at an event held at the Residence of the Turkish Embassy on Thursday, October 14, 2010.

Megalli has had an interest in and collected textiles for 22 years. A resident of Istanbul, Turkey, he learned much about textiles from his mentor, the late Josephine Powell, a renowned ethnographer and photographer who was awarded The Textile Museum’s George Hewitt Myers Award for lifetime achievement in 2006. Megalli donated a collection of 149 19th-century Central Asian ikats—stunning, colorful textiles named for the difficult resist dyeing technique used to create their patterns—to The Textile Museum in 2005, with subsequent gifts to the collection. Among one of the largest holdings of Central Asian ikats in the world, the collection represents the artistic virtuosity of this textile tradition and documents how these pieces were used their original cultural context. A selection of textiles from The Textile Museum’s Megalli Collection, including coats for men and women, women’s dresses and pants, cradle covers, hangings and fragments, will be on display for the first time ever in the museum’s fall 2010 exhibition, Colors of the Oasis: Central Asian Ikats. The entirety of the collection will also be published in a beautifully illustrated catalog with original scholarship complementing the exhibition.

Murad Megalli is a managing director and the chief executive officer for the Middle East, Turkey and Central Asia at J.P. Morgan based out of London and Istanbul. He holds a Master in Management from Yale as well as graduate and undergraduate engineering degrees in civil engineering and hydraulics. He speaks English, Turkish, Arabic and Russian.

About The Turkish Embassy Residence

The Turkish Embassy Residence is one of Washington, D.C.’s most important historic buildings. Designed by well-known architect George Oakley Totten, Jr. and completed in 1914, the Mansion was commissioned by Edward H. Everett, a wealthy industrialist from Cleveland, Ohio best known for inventing the corrugated metal tops for soft-drink bottles. Architect George Oakley Totten, Jr. had a longstanding relationship with Turkey before the future Residence was built. He previously worked in Istanbul, where he designed the first American Chancery and a Residence for Izzet Pasha, the Grand Vezir, Prime Minister of the Empire. His work was so well received that he was offered the position of “Private Architect to the Sultan.”

Totten blended three architectural periods in his design for the mansion: 16th-century Italian, 18th-century Romanesque and 19th-century Art Deco, with distinct features from decorative Ottoman styles. During the 1920s, the House because famous for festive musical evenings with singers from New York’s Metropolitan Opera. Everett continued to reside in the mansion until his death in 1929. In 1932, Everett’s widow, Grace Burnap, leased the House to the Turkish Embassy and it was used both as Chancery and Residence. In 1936, at the behest of Turkey’s first President, Mustafa Kemal Ataturk, the House was purchased with all its contents. In the 1990s, the Chancery moved to Embassy Row on Massachusetts Avenue and the Mansion became the Residence of the Ambassadors of Turkey. The Residence was closed in 2004 for a nearly three-year renovation effort, during which all contents were painstakingly restored.

About The Textile Museum

Established in 1925 by collector George Hewitt Myers, The Textile Museum is dedicated to expanding public awareness and appreciation – locally, nationally and internationally – of the artistic merit and cultural importance of the world’s textiles. The museum presents changing exhibitions of historical textiles from its 18,000-piece collection and other holdings as well as contemporary fiber art, complemented by a range of public programs for all ages.

The Textile Museum is located at 2320 S Street, NW, in Washington, D.C.’s Embassy Row, and housed in two historic buildings: the founder’s family home – designed in 1913 by John Russell Pope – and an adjacent building designed in 1908. These former residences provide a warm, intimate setting for the museum’s galleries, research library, shop and program spaces. The museum also boasts lovely gardens designed by Rose Greely, Washington’s first licensed female architect. Museum hours are Tuesday through Saturday 10 a.m. – 5 p.m. and Sunday 1-5 p.m. The suggested donation for admission is $5 for non-members. For more information, visit www.textilemuseum.org or call (202) 667-0441.

Media Contact: Cyndi Bohlin, Director of Communications and Marketing, (202) 667-0441, ext. 78 or cbohlin@textilemuseum.org.

The Textile Museum to Kick Off Summer with Annual Two-Day Festival

Celebration of TextilesThe Textile Museum will hold its 32nd annual Celebration of Textiles on Saturday, June 5, 10 a.m.–4 p.m. and Sunday, June 6, 1-5 p.m. This free festival for all ages, held rain or shine, invites visitors to explore the textile arts and cultures of the world through hands-on activities and artist demonstrations in the museum’s gardens, historic buildings and current exhibitions.

Program highlights for this year’s Celebration of Textiles festival include:

  • Live musical performances by acoustic roots duo Herb & Hanson (Sat., 2-4 p.m. and Sunday, 3-5 p.m.) who have performed at the Kennedy Center and Strathmore Hall, among other Mid-Atlantic venues
  • Hands-on activities, including block printing and bracelet making
  • Spinning, weaving, knitting, embroidery and indigo dyeing demonstrations
  • Delicious Indian food from Fojol Bros. of Merlindia (available for purchase)
  • Drawings for gift certificates to Teaism, Restaurant Nora, Kramerbooks and other Dupont Circle area businesses
  • Live sheep-shearing demonstrations

Please note: Activities and demonstrations vary on Saturday and Sunday. For full program details, visit www.textilemuseum.org. ALL ACTIVITIES ARE FREE.

Celebrating Local Students’ Art

On Saturday from 12:30-1 p.m. a ceremony will be held recognizing the students participating in this year’s Museum-School Partnership: a 1st grade class from Lafayette Elementary School; a 3rd grade class from Horace Mann Elementary School; and a 3rd-5th mixed grade level class from Matthew G. Emery Educational Center. Through this annual program, the museum educates Washington, D.C. students about textiles and the cultures that produce them, and works with students in the creation and display of their own textile artwork. Their creations will be unveiled on June 5 and will remain on view at The Textile Museum through the month.

Current Exhibitions

Visitors can explore the colorful and whimsical textile designs of three groundbreaking women in the exhibit Art by the Yard: Women Design Mid-Century Britain, on view May 15-September 12, 2010. Also on view is the complementary exhibit The Art of Living: Textile Furnishings from the Permanent Collection, featuring furnishing fabrics from cultures around the world.

History of Celebration of Textiles

The Celebration of Textiles festival started with the goal of inviting people to come in casually and learn about the techniques and cultures represented in the museum’s exhibitions, drawing in new audiences and offering an opportunity for people of all ages to explore the wonder and variety of textile art. While The Textile Museum now provides a variety of opportunities for children to learn about textiles year-round through school programs and the hands-on Activity Gallery of The Textile Learning Center, the spirit of Celebration of Textiles has remained constant. It aims to build a greater appreciation of the textile arts through intergenerational activities that can be enjoyed by children, parents, grandparents and friends alike.

Celebration of Textiles is funded in part by the D.C. Commission on the Arts & Humanities, an agency supported in part by the National Endowment for the Arts. The festival is part of the Dupont-Kalorama Museums Consortium’s Museum Walk Weekend. For more information about Walk Weekend, visit www.dkmuseums.com.

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World Premiere of Documentary Film on Mid-Century Design coincides with Art by the Yard Opening

Chevron (detail), 1968. Lucienne Day. Manufactured by Heal Fabrics. Jill A. Wiltse and H. Kirk Brown III Collection of British Textiles.

The first public screening of Contemporary Days: Robin and Lucienne Day Design the UK, produced by Design Onscreen— The Initiative for Architecture and Design on Film, will coincide with the opening of the exhibition Art by the Yard: Women Design Mid-Century Britain at The Textile Museum. The 90-minute film premieres at 7:30 p.m. on May 15, 2010 at the National Geographic Museum’s Grosvenor Auditorium (1145 17th Street NW, Washington, D.C.). A question and answer session with award-winning Scottish Director Murray Grigor and Cinematographer Hamid Shams will follow the screening. General public tickets are $15, including free garage parking, and may only be purchased online and in advance through Design Onscreen (www.designonscreen.org).

Robin and Lucienne Day. Courtesy of Design Onscreen.

About the Film

Robin and Lucienne Day transformed British design after World War II with striking furniture and textiles that signaled a new modernist sensibility for everyday living. Lucienne’s abstract textile designs brought accessible elegance into the homes of postwar British consumers. Robin’s revolutionary furniture designs introduced materials such as plastic, steel and plywood to homes, offices and schools. Together, their fresh design approach helped fuel the artistic and commercial awakening that led Britain out of the devastation of World War II. The film traces the Days’ personal and professional progression over the course of their careers, spanning more than 70 years–from their days at the Royal College of the Arts in the 1930s, through their long heyday at the forefront of British design, to their recent rediscovery by new generations of design aficionados.

About the Filmmakers

Director Murray Grigor is a Scottish filmmaker, writer and curator renowned for his films on architecture and design. His first film, on Charles Rennie Mackintosh, won five international awards, and he has since co-authored The Architects’ Architect on Mackintosh’s international influence. Grigor’s other award-winning films include groundbreaking documentaries on Frank Lloyd Wright, Robert Adam and John Soane, and the landmark PBS series Pride of Place with Robert Stern. His most recent film, Infinite Space: The Architecture of John Lautner, has been a festival favorite since its premiere in 2008 at UCLA’s Hammer Museum. Cinematographer/Producer Hamid Shams has served as director, cinematographer and/or producer for numerous television commercials, music videos and short and feature documentary/narrative films, including Infinite Space: The Architecture of John Lautner, Tie-Died: Rock ’n Roll’s Most Dedicated Fans, and Painting the Town—all of which received highly favorable reviews for cinematography in major newspapers and festivals around the US and Europe.

About Art by the Yard: Women Design Mid-Century Britain

Opening May 15, Art by the Yard will be view at The Textile Museum through September 12, 2010, and is the first exhibition of its kind in Washington, D.C. The art of textile design changed radically after World War II as Britain was transformed from a country devastated by war into an optimistic consumer society. Three women designers were pivotal in this artistic revolution: Lucienne Day (1917- 2010), Jacqueline Groag (1903-1985) and Marian Mahler (1911-1983). Incorporating dramatic saturated colors and bold motifs inspired by artists like Alexander Calder and Joan Miró, these young designers transformed the market by inspiring elegant yet affordable product lines that brought the world of contemporary art into everyone’s homes. The exhibition showcases the work of these groundbreaking women designers through the display of textiles together with drawings and collages, ceramics and period furniture, all drawn from the Jill A. Wiltse and H. Kirk Brown III Collection of British Textiles.

About Design Onscreen

Design Onscreen is a 501 (c)(3) non-profit foundation dedicated to producing, promoting and preserving high-quality films on architecture and design. Founded in 2007 by Denver documentary enthusiasts Jill A. Wiltse and H Kirk Brown III, Design Onscreen’s other architectural documentaries include: William Krisel, Architect (screening at LA’s Getty Center in April 2010), Journeyman Architect: The Life and Work of Donald Wexler (2009) and Desert Utopia: Midcentury Architecture in Palm Springs (2009). Another Design Onscreen film, Hella Jongerius: Contemporary Archetypes (2009), premiered in May 2009 at New York’s Museum of Modern Art and Museum of Art and Design. Please visit www.designonscreen.org for more information.

To view the press release (PDF), click here.

To download the press kit for Art by the Yard: Women Design Mid-Century Britain, click here.

The Textile Museum to participate in 27th annual Museum Walk Weekend

The Textile Museum, part of the Dupont-Kalorama Museums Consortium (DKMC), is pleased to announce its participation in the 27th Annual Museum Walk Weekend, showcasing the art, history, and culture of two historic Washington, D.C. neighborhoods this summer. Anderson House, Dumbarton House, Fondo del Sol Visual Arts Center, General Federation of Women’s Clubs, Mary McLeod Bethune Council House National Historic Site, Meridian International Center, National Museum of American Jewish Military History, The Phillips Collection, The Textile Museum, and the Woodrow Wilson House will open their doors free of charge for this weekend-long celebration and chance to stretch your legs and your mind.
Museum Walk Weekend offers a variety of free activities for all ages. This year’s highlights include special museum exhibitions (covering everything from mid-century art and design to a president’s beloved walking sticks), DC Jazz Festival’s Jazz ‘n’ Families Fun Days at The Phillips Collection, popular food vendors, and a photo contest celebrating these neighborhood museums organized by Washington City Paper. Stay tuned to City Paper Events for more details about entry and prizes.
For the second year in a row, DKMC is also teaming up with the Washington Area Bicyclists Association to make Walk Weekend bicyclist friendly by providing a safe bike route and leading rides between sites.
An information table for the public, providing schedules and maps, will be situated at Dupont Circle on Saturday, June 5 and at the Dupont Circle FRESHFARM Market on Sunday, June 6.
The 27th Annual Museum Walk Weekend media sponsor is Washington City Paper. Museum Walk Weekend is supported by Cultural Tourism DC, with additional support provided by the Renaissance Dupont Circle Hotel.
Note: Not all museums will be open both days; event held rain or shine.
For more information or images, visit www.dkmuseums.org or contact Katy Clune at kclune@textilemuseum.org.

To view the press release (PDF), click here.

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